The Playlist recently spoke with THE WOLVERINE director James Mangold who, for the first time ever, opened up about his reasons for signing on to the film and how he will tackle the character and create a more unique comic book film.
On directing an established character without having to tell an origin story:
“You could actually just tell a story about this amazing character from the start, just the way they do when you really read a comic,” Mangold said. “You don’t have to spend the first hour saying how they were born; you can actually just find them in an emotional space, in the middle of action, and what happens is you’re not crowded with cutting to nine other action heroes. You can really make a movie about this dude.”
On the film’s Japanese setting:
“It’s a kind of adventure following such a unique character also in a really unique environment,” he said. “I mean, the fact that half of the characters in this movie speak Japanese, this is like a foreign-language superhero movie that’s as much a drama and a detective story and a film noir, with high-octane action as it is anything like a conventional tentpole film.”
On why he decided to direct ‘The Wolverine’:
“I think part of the reason I’m doing this picture has been because it isn’t to me a conventional superhero movie. It isn’t an origin story, so I’m freed from that burden, and it also isn’t a save-the-world movie, which most of them are. It’s actually a character piece; I actually think it has more in common with ‘The Outlaw Josey Wales’ and ‘Chinatown,’ what we’re doing, than the conventional, ‘will Wolverine and his compatriots save the world from this thermonuclear device’ question.”
On plot and the fighting-style in the film:
“I think that this movie is much more an intense psychological and action-packed character piece, that’s much more about Logan getting lost in this very unique and insulated world of Japanese culture, gangster culture, and ninja culture,” he said. “The fighting is going to be unique because it’s all influenced by Japanese martial arts.”
On delving deeper into the character of Wolverine:
“I think more than anything, it’s a character piece, asking really interesting questions that are what pulled me in about what it means to be immortal. What is it to live forever, when you lose everyone you’ve ever loved? Either you watch them get killed, or you just lose them by attrition. What is it to feel the burden of saving mankind through all of its mistakes, over and over and over again. What’s the toll it takes on you as a living being that is somehow living this Frankensteinian, eternal life? And there’s a lot of interesting dramatic questions we’re going to deliver on as well as some really inventive action.”
On creating a fantastic Wolverine film fans expect:
“I like to think that we’re out to make that Wolverine movie that people have been looking forward to seeing, which takes on some of the darker and more intense aspects of the character, and his own journey, that have not necessarily been possible in the origin story that they did or obviously when he’s sharing so much time as a character with so many others in X-Men.”
There’s lots more you can read from the interview here!
This sounds so great. A character piece, not driven by a “Let’s save the world” plot (okay, hands down… FIRST CLASS handled that perfectly), but rather a smaller scale plot focused on the character of Logan/Wolverine.
Now… do not hesitate to make it into an R-rated film, and avoid any kitch, and we will have a movie in the ranks of THE DARK KNIGHT.
This could be excellent if done right. I like that it will be a character-driven piece.
I like what he said on telling the characters origin. I still need the list of the characters involve.
Zen
Shingen
Silver Samurai
Mariko
Yukio
Noburo Moro
Viper
Japanese Frank Sinatra
This was before the James Mangold script update.
I hope there are not too many mutants. In fact I would prefere Logan and the Silver Samurai to be the ONLY mutants in this film! As much as I liked ORIGINS WOLVERINE, the end was too crowded with mutants. They could have left out Scott Summers for example, same with Kayla’s sister.
I agree. No more pointless cameos. Have a good reason for using certain mutants in the film.
I think it’s ok for me to have plenty of mutants but not includes the important ones like what they did in X-men Origins which they completely destroy the background story of Cyclops, Gambit and Emma Frost. Maybe At least 5 major mutants would be nice because seeing only two or three mutants were really boring specially if the mutants were using only physical powers and not energy projecting or manipulating ones..
I agree. Characters like Sunfire or even Psylocke would definitely work for me. As long as they can be relevant to the story.
Yeah, but they should really focus on Logan ONLY in this one. Tell this story from his point of view. Include him in every scene. And make it Dark, really dark and serious. XMOW had a great mature atmosphere when compared to the previous films, just build on it and go beyond it.
It is not an X-Men movie… it’s all in the title: THE WOLVERINE.
And I doubt people will be happy if other mutants will appear just to make extended cameos. That’s why people hated XMOW (Cyclops, Gambit, Blob).
If they take Logan and give him the “Dark Knight” Treatment (Batman being the only superhero in the Nolan series), it will certainly be much better.
We HAVE an ensemble series, which will get it’s sequel sooner or later: FIRST CLASS!